• first-class edition based on the most recent scholarship by leading Bach scholar, Dr Richard Jones

• contains the keyboard pieces only from the collection

• includes invaluable performance notes providing guidance on appropriate tempo, phrasing, articulation and realization of ornaments

• beautifully engraved with the needs of the performer in mind

• value for money

• Menuet in F, BWV Anh. II 113 [Anon.]
  
• Menuet [I] in G, BWV Anh. II 114 [Christian Petzold]
  
• Menuet [II] in G minor, BWV Anh. II 115 [Christian Petzold]
  
• ‘Les Bergeries’, Rondeau in B flat [Georges Bizet]
  
• Menuet in G, BWV Anh. II 116 [Anon.]
  
• Polonaise in F [First Version], BWV Anh. II 117a [Anon.]
  
• Polonaise in F [Second Version], BWV Anh. II 117b [Anon.]
  
• Menuet in B flat, BWV Anh. II 118 [Anon.]
  
• Polonaise in G minor, BWV Anh. II 119 [Anon.]
  
• Chorale ‘Wer nur den lieben Gott lässt walten’, BWV 691 [Johann Sebastian Bach]
  
• Menuet in A minor, BWV Anh. II 120 [Anon.]
  
• Menuet in C minor, BWV Anh. II 121 [Anon.]
  
• March in D, H. 1.1 [Carl Philipp Emanuel Bach]
  
• Polonaise in G minor, H. 1.2 [Carl Philipp Emanuel Bach]
  
• March in G, H. 1.3 [Carl Philipp Emanuel Bach]
  
• Polonaise in G minor, H. 1.4 [Carl Philipp Emanuel Bach]
  
• Menuet in G [Georg Böhm]
  
• Musette in D, BWV Anh. II 126, from The Anna Magdalena Bach Book of 1725 [Anon.]
  
• March in E flat, BWV Anh. II 127: from Clavierbüchlein vor Anna Magdalena Bach, 1725 [Anon.]
  
• Polonaise in D minor, BWV Anh. II 128 [Anon.]
  
• Menuet in D minor, BWV Anh. II 132 [Anon.]
  
• Aria in F, BWV Anh. II 131 [Johann Christoph Friedrich Bach]
  
• Solo per il Cembalo in E flat, H. 16 [Carl Philipp Emanuel Bach]
  
• Praeludium in C, BWV 846/1 [Johann Sebastian Bach]
  
• Aria in G, BWV 988/1 [Johann Sebastian Bach]
  
• Polonaise in G [Johann Adolph Hasse]